He hoped in Marfa to give primacy back to his creations.A visit to the New York home and studio that Judd left behind — now a museum — reveals a disciplined and ordered mind. Its art would not be moved, and its remoteness set the stage for the town to essentially become a modern pilgrimage site for artists.Legacy alone isn’t enough to make most people pack up their lives and move, of course, particularly to a place that’s a three-hour drive from the nearest airport. The artist Donald Judd collected more than 13,000 books, many of which are now housed in a curated library in Marfa, Texas, the town Judd made his home from 1979 until his death in 1994.Curiously, Judd organized his books not alphabetically or by subject but in order of their authors’ birth. Donald Judd was a leader of the Minimalist movement and as such, helped to create an appreciation for the clean lines and uncluttered spaces often favored in interior design.

The best is that which remains where it was painted, placed or built. Judd first visited Marfa in 1971, although he didn’t buy property there until 1979, after first considering California.He acquired Fort D.A. ⁣On the occasion of the first US retrospective of Donald Judd’s work in more than thirty years at The Museum of Modern Art (MoMA), Judd Foundation is pleased to announce major exhibitions of Donald Judd’s work in New York this spring.⠀ ⠀ ⠀ The program will include six exhibitions accessible to the public in the greater New York area from March to July.
“So I try to really focus on that part of the community. “But there are certainly plenty of us that exist in both of those realms. In Marfa, things aren’t always the way you expect them to be, and that’s in large part what has made this place deep in the Chihuahuan high desert one of the most talked-about, if unlikely, art destinations in decades.Marfa’s reputation as an overnight sensation doesn’t give the town its full due. You’ll see people at a Zumba class and also at an exhibition opening.”For Green, the divide isn’t something distinct about Marfa but, instead, a larger phenomenon of which Marfa is often cited as an example. Visit She said that the social like was so active that people went to nyc and Houston to rest!! People who are drawn to areas like this to live and work tend to have an entrepreneurial spirit — or that kind of freedom is something that’s really important to them.”A large part of Nafziger’s job as mayor is making sure that Marfans themselves aren’t lost in the shuffle. He was dissatisfied with the New York art world in which, he felt, tastemakers and curators divorced art from its power.To Judd, if an artist worked his piece in the studio or on a chosen plot of land, to remove it from that place and put it in a gallery or museum felt false.

Untitled by Donald Judd on the grounds of the Chinati Foundation; concrete, 98½ x98½ x194 (each cube). And frankly, right now, being mayor is a big part of that. So that feeling of being so far from the rest of what you know feels dominant.”Judd famously hated the term “minimalism,” but if I were to ask you to picture some of Judd’s work — the sort of thing you’d see on a postcard from Marfa — you might call to mind his concrete boxes in the desert. Kate Green, a former curator at Marfa Contemporary, admitted to me in a phone call that moving there was a difficult adjustment.She describes the landscape as “so different, with its horizontality. “I certainly didn’t think I was making sculpture.” One of the foremost sculptors of our time, Judd (1928–1994) refused this designation and other attempts to label his art. The award ceremony After being awarded the prize in the Concertgebouw in Amsterdam, the audience moved over to the Stedelijk Museum where the Judd exhibition opened, and a reception was held. The remoteness stands out.“And it’s very quiet in Marfa.

The really important questions — the topics that are on people’s minds and that come up in city council meetings or conversations with friends — are also questions that most places are grappling with.”If you go there, Marfa will welcome you, but it takes a person suited to the landscape, isolation and quiet to make a serious go of it. But understanding what Judd was trying to do unlocks the meaning of the place and much of the art it’s known for.Judd came to Marfa not just for the space but in search of authenticity. What are the things that bring us together?”Green says something similar. There are always the questions of gentrification and what it means when a creative community comes in and raises house prices. The complex served as the basis of the Chinati Foundation, established in 1986, the foundation which disseminates Judd’s work and ideas and which is chaired by Rudi Fuchs. One road leads to another, and the next thing you know, you’re mayor of Marfa.”Be sure to listen to the Art Opening(s) podcast’s third episode, After all this talk of art pilgrimages and wide open spaces, are you ready to get out there and paint? We’re a really diverse community, and I’m always looking for our shared values. Photo: Carol M. Highsmith / Buyenlarge / Getty Images; Archive photos The small desert city of Marfa, Texas, has become an unlikely magnet for artists and art lovers
“There’s so much attention from the outside world on the arts and tourism, but there’s a whole community of people who live and work here all the time,” she says. So if you’re an artist searching for your own space, how do you find your Marfa?“The most important thing, I’d say, is to simply make sure that you’re really being true to yourself and what it is that you want,” says Nafziger, when I ask her this question.“Years ago I lived in Portland, Oregon, which isn’t a major art center, and I lived and worked there for about 10 years.


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